Debut novel from Camilla Grudova sold to Atlantic
Grudova’s previous collection of short fiction was delightfully strange; the new novel appears to continue in this vein.
A Blog About Books and Reading
A Blog About Books and Reading
Grudova’s previous collection of short fiction was delightfully strange; the new novel appears to continue in this vein.
Where publishing is concerned, every silver lining has a big rain cloud hovering directly behind it.
“I figure we lost a huge number of sales in October,” says Simon Dardick, co-publisher of Montreal’s Véhicule Press. “By the time the books came out we had missed deadlines.”
An outcropping of French theory, postmodernism is most evident in its connection to neoliberalism and our overtly consumerist society.
In his debut literary novel under his own name, Ruthnum provides a slippery, serpentine narrative that calls into question notions of identity and narrative stability.
Everett’s novel is about a Black intellectual who finds commercial success by writing a pandering, parodic work that gets taken at face value.
Neither of the houses in these two books is haunted in the traditional sense; the evil comes from the people and environs that surround them.
By delaying any meaningful action to blunt the impact of Omicron, the provincial government has prioritized its political future in the face of disaster.
A noir sensibility finds its origins in German expressionism and creates a neurotic environment in which the borderline between good and evil is nonexistent.
Two ongoing battles surround the proposed deal to combine two of the world’s largest publishers and the financial woes of a former New York governor.