Set in Montreal during the 1980s, the novel outlines the full range of the immigrant experience, from heartache to hope.
Grudova’s previous collection of short fiction was delightfully strange; the new novel appears to continue in this vein.
Where publishing is concerned, every silver lining has a big rain cloud hovering directly behind it.
“I figure we lost a huge number of sales in October,” says Simon Dardick, co-publisher of Montreal’s Véhicule Press. “By the time the books came out we had missed deadlines.”
David Bowie, Cindy Sherman, and Quentin Tarantino walk into a bar: Stuart Jeffries examines the legacy of postmodernism in his new work of cultural criticism
An outcropping of French theory, postmodernism is most evident in its connection to neoliberalism and our overtly consumerist society.
In his debut literary novel under his own name, Ruthnum provides a slippery, serpentine narrative that calls into question notions of identity and narrative stability.
Everett’s novel is about a Black intellectual who finds commercial success by writing a pandering, parodic work that gets taken at face value.
Home is where the hellfire is: Chuck Wendig and Adam L.G. Nevill provide two stories of new homes that prove anything but homey
Neither of the houses in these two books is haunted in the traditional sense; the evil comes from the people and environs that surround them.
Doug Ford puts politics above people’s health once again in delayed provincial response to the Omicron variant of Covid-19
By delaying any meaningful action to blunt the impact of Omicron, the provincial government has prioritized its political future in the face of disaster.
“Seriously flawed and morally questionable”: Guillermo del Toro, German expressionism, and the nature of noir
A noir sensibility finds its origins in German expressionism and creates a neurotic environment in which the borderline between good and evil is nonexistent.