31 Days of Stories 2025, Day 16: “Tomorrow” by William Faulkner
"Tomorrow" is a voice story and its narrative approach is, typical of Faulkner, complex.
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A Blog About Books and Reading
"Tomorrow" is a voice story and its narrative approach is, typical of Faulkner, complex.
In the Soviet Union, Sorokin implies, the government is able to act in a most atrocious manner, while the minor functionaries who work the factories and offices have to carry shit.
King's accomplishment here is in combining his three levels of fear – terror, horror, and disgust – in a surprising and highly literary manner.
The notion of redemption is an element of hardboiled crime fiction Ardai plays with in this story.
"Peacock killing was not a rupture but the sensual intertwining of beauty and destruction."
In the world of Dick's story, efficiency and rationality are paramount.
"Hairs on Me" is a complicated reckoning with female desire and the kind of bodily insecurity a media-saturated world imposes on women.
Like his contemporary, the Irish monk and writer Laurence Sterne, Diderot proved well ahead of his time.
The story is on one level a comedy of manners; on another, it is a careful and cutting critique of capitalism.
The bare bones of Gardam's story appear minor and parochial; this belies the depth and complexity the author infuses into her tale.