Newfoundland lit journal Riddle Fence announces first short fiction collection under its Debuts publishing imprint
"My next task is to figure out how to do audiobooks."
Sarah Bernstein, Eleanor Catton, and CS Richardson find places on a Scotiabank Giller Prize shortlist that highlights multinational presses
Other considerations aside, this represents one of the strongest Giller shortlists in years.
The Spooky Season: The past weighs heavily in a supernaturally inflected first novel from Adriana Chartrand
The more obviously generic elements of the story are less unsettling than the very real horrors of racism and family strife.
Debut writers from multinational publishers dominate the 2023 Atwood Gibson Writers Trust Fiction Prize shortlist
Only one writer on this year's list, Emma Donoghue, has won the prize previously.
Canadian publishing’s dilemma: Indigo has abandoned books; it’s also become too big to fail
Indigo can't fail, but it also appears less and less interested in operating primarily as a bookseller.
Eleanor Catton and David Bergen are among the twelve writers on the 2023 Scotiabank Giller Prize longlist
Twelve titles in total made the 2023 longlist, which was culled from a record-setting 145 submissions.
Climate change and political unrest at the end of the world in novels by Tomas Hachard and Michelle Min Sterling
City in Flames and Camp Zero address societal discord via imaginative scenarios that only slightly exaggerated from the evening news.
High rise havoc and haunted houses: Andrew F. Sullivan and Nick Cutter deliver the horror
The Marigold is a quintessential urban horror tale; The Handyman Method relocates the terror to the suburbs.
Lisa Alward’s debut short fiction collection is a quietly potent cocktail
The stories display a surface placidity that belies their deeper structure.
Precise language and patterns of imagery highlight the debut collection of stories from Amy LeBlanc
LeBlanc's short fiction is refreshingly resistant to closure.