Fear factor: Behavioural scientist Coltan Scrivner explains why horror may be good for us in Morbidly Curious
Scrivner suggests that people have a certain "sweet spot" when it comes to how frightened they like to be.
Trad wives and demon children: Eleanor Johnson examines the ways in which 1970s horror films dovetailed with 2nd wave feminism
Rosemary's Baby provides an entrée for Johnson to discuss five other films she collects under the umbrella of what she refers to as "domestic horror."
Matt Singer’s book about Siskel & Ebert’s influence on film criticism is heavy on gossip, light on actual criticism
Singer generally adopts the pose of the fan rather than the critic.