Let’s talk about sex, anonymously: New York writers Cheryl Lu-Lien Tan and Hillary Jordan on their new anthology of unattributed erotica
“We all have this conversation about who can write what,” Jordan says. “This collection asks, does it matter?”
Ship of fools: Will Aitken skewers late-capitalism and upper-class pretension in The Swells
With not one but two pirate incursions, a mutiny, and other onboard shenanigans, the novel offers a fast, noisy narrative.
Where I’m calling from: Dimitri Nasrallah mines the immigrant experience for his new novel, Hotline
Set in Montreal during the 1980s, the novel outlines the full range of the immigrant experience, from heartache to hope.
Debut novel from Camilla Grudova sold to Atlantic
Grudova’s previous collection of short fiction was delightfully strange; the new novel appears to continue in this vein.
Despite positive sales of print books, Gallup reports Americans are reading less
Where publishing is concerned, every silver lining has a big rain cloud hovering directly behind it.
Independent booksellers report strong holiday sales; publishers see challenges continuing into 2022
“I figure we lost a huge number of sales in October,” says Simon Dardick, co-publisher of Montreal’s Véhicule Press. “By the time the books came out we had missed deadlines.”
David Bowie, Cindy Sherman, and Quentin Tarantino walk into a bar: Stuart Jeffries examines the legacy of postmodernism in his new work of cultural criticism
An outcropping of French theory, postmodernism is most evident in its connection to neoliberalism and our overtly consumerist society.
The death, rebirth, and afterlife of the author in Naben Ruthnum’s A Hero of Our Time
In his debut literary novel under his own name, Ruthnum provides a slippery, serpentine narrative that calls into question notions of identity and narrative stability.
The pathology of authenticity: Percival Everett’s satire of stereotypical Black masculinity
Everett’s novel is about a Black intellectual who finds commercial success by writing a pandering, parodic work that gets taken at face value.
Home is where the hellfire is: Chuck Wendig and Adam L.G. Nevill provide two stories of new homes that prove anything but homey
Neither of the houses in these two books is haunted in the traditional sense; the evil comes from the people and environs that surround them.