Bindu Suresh discusses puzzle plots, blending genres, and leaving space for the reader to inhabit in her new novel, The Road Between Us
"I very quickly realized that it didn't need to change, I didn't need to make it more traditional."
A Blog About Books and Reading
A Blog About Books and Reading
"I very quickly realized that it didn't need to change, I didn't need to make it more traditional."
The Hypebeast extends Khan's interrogation of masculinity and machismo in immigrant communities.
This is not the first time Whitlock has contemplated a live conversation for his podcast.
Birrell employs a variation on Faulkner's structure in As I Lay Dying.
The picture that emerges of Morrison as editor is of someone simultaneously dedicated to her authors and interested in helping them find wide audiences while also firm – not to say obstinate – in her opinion of her own editorial talent.
Sutherland says the structure of the story was "a risk" that arose out of her belief that "every enslaved person deserves to have their story told with dignity."
Certainly Canadian cultural nationalism does not look the same today as it did in 1968.
rekt tells much the same story as Feeders, but from a dude's perspective.
These poems testify to the range of McKay's emotive field.
"It became really clear that Canadian publishers generally are not putting enough effort into the classics space."