Hildur Knútsdóttir’s psychological horror story The Night Guest uses spare language and elision to heighten the feeling of creeping dread
Knútsdóttir places the reader in close proximity to Iðunn's psyche via an unreliable first-person narration.
A Blog About Books and Reading
A Blog About Books and Reading
Knútsdóttir places the reader in close proximity to Iðunn's psyche via an unreliable first-person narration.
Newell unfolds a tale that is, in places, almost unbearably sad in its portrayal of contemporary anomie.
For those looking for a solid throwback to the great pulp horror novels of the ’80s, this one is a good bet.
Okorafor does not miss a single opportunity to critique the contemporary media establishment.
Bollen has concocted a scenario that deftly upends traditional power structures.
Structurally, Moore’s novel flits around in time and perspective.
Sathue's novel is the fist release from the Soho Press horror imprint Hell's Hundred.
The one area that literary craft does get elevated a bit beyond a pulp sensibility is in the East London setting.
Russell was an executive editor at Playboy, where he published such canonical writers as Ray Bradbury, Charles Beaumont, and Richard Matheson.
Leede's great sleight of hand is in her ability to make us feel something for Maeve.