The twisty, fast-paced debut effectively skewers online culture while telling a tense story about a family threatened from within and without.
Debut novelist Rebecca Watson reckons with how form can be used to reflect the realities of contemporary society
little scratch acts as a kind of bridge between Modernism and our current culture of distraction.
Self Care skewers the performative progressiveness that attends capitalist tech companies obsessed with clicks and user engagement.
Herbert’s novel combines elements of a haunted house story, a zombie tale, and a meditation on the nature of evil.
The Horror Show: Michael McDowell combines Southern Gothic and a haunted house tale in The Elementals
McDowell’s mashup of Southern Gothic and a traditional haunted house story provides a slow burn as opposed to the anarchic energy of his earlier novel.
The American novelist’s violent, cheeky 2012 book displays a true fan’s knowledge of, and enthusiasm for, the cinematic subgenre.
The genre that preys on the subconscious is more varied and interesting that it is frequently given credit for.
Michael Crummey talks fiction, Newfoundland, and landscape: “I had lived in Labrador for a while and I had the very real sense that this place could kill you.”
Jill Ciment‘s novel begins as a courtroom thriller, but transforms into a fraught examination of desire and culpability.
John Rechy’s 1963 debut novel is simultaneously a product of its time and somehow outside of time altogether.