Carvell Wallace on America’s history of exploiting Black pain for cheap scares
Nia DaCosta’s re-imagining of the 1992 film Candyman proves more effective because it does not traffic in white voyeurism in its examination of Black trauma.
A Blog About Books and Reading
A Blog About Books and Reading
Nia DaCosta’s re-imagining of the 1992 film Candyman proves more effective because it does not traffic in white voyeurism in its examination of Black trauma.