Gas, food, mayhem: Nat Cassidy unleashes a tight, brutal reading experience in his novella Rest Stop
Those who prefer their horror straight up, with no chaser, should definitely check this one out.
Extremely online: Two new novels explore the brutal nihilism of digital addiction and its effects
rekt tells much the same story as Feeders, but from a dude's perspective.
Choice cuts: In The Butcher’s Daughter, Canadian writers David Demchuk and Corrine Leigh Clarke reimagine one of Broadway’s nastiest bakers
The Butcher's Daughter may best be enjoyed by those unfamiliar with The String of Pearls or the musical Sweeney Todd.
31 Days of Stories 2025, Day 26: “Pending Licensor Approval” by Adam Cesare
"Pending Licensor Approval" is structured largely as a conversation between a writer and a bartender.
31 Days of Stories 2025, Day 13: “Survivor Type” by Stephen King
King's accomplishment here is in combining his three levels of fear – terror, horror, and disgust – in a surprising and highly literary manner.
In Clay McLeod Chapman’s savage new novel, digital wellness gurus and a far-right news channel serve as linchpins for the apocalypse
Chapman's book is about as far from subtle as it's possible to get.
Hildur Knútsdóttir’s psychological horror story The Night Guest uses spare language and elision to heighten the feeling of creeping dread
Knútsdóttir places the reader in close proximity to Iðunn's psyche via an unreliable first-person narration.
In author and bookseller Jenny Kiefer’s debut novel, four hikers discover horror in the Kentucky wilderness
For those looking for a solid throwback to the great pulp horror novels of the ’80s, this one is a good bet.
“The children of the night. What music they make!” First published in 1897, Bram Stoker’s Dracula continues to exert an outsized influence on popular culture
Vampires, it would seem, are everywhere in our culture.
In Bog Myrtle, author and illustrator Sid Sharp delivers a sharp rebuke to capitalism with a side order of comic folk horror
Sharp shares with Jon Klassen an affection for macabre conclusions in which the story's villain gets an exaggerated, though not unwarranted, comeuppance.