Feminism and the capitalist impulse collide head-on in Leigh Stein’s blistering second novel
Self Care skewers the performative progressiveness that attends capitalist tech companies obsessed with clicks and user engagement.
Good faces off against evil in James Herbert’s The Dark
Herbert’s novel combines elements of a haunted house story, a zombie tale, and a meditation on the nature of evil.
Why it’s so difficult to adapt Stephen King’s books for film
Being able to see King’s horrors is a significant drawback in terms of their emotional and affective impact – with one exception.
Michael McDowell combines Southern Gothic and a haunted house tale in The Elementals
McDowell’s mashup of Southern Gothic and a traditional haunted house story provides a slow burn as opposed to the anarchic energy of his earlier novel.
Psychology of the uncanny: “The Scar” by Ramsey Campbell
This story of a man and his malevolent doppelgänger recalls Poe and includes a critique of apparent social respectability.
The law of unintended consequences: “The Fly” by George Langelaan
The story, which originally appeared in 1957, includes a framing structure that distances the reader from the main action.
Terror takes flight: “Nightmare at 20,000 Feet” by Richard Matheson
Of all the genre master’s classic novels and stories, none comes close to the sheer paranoid terror of this ruthless chiller.
“The actual worth of the things you make”: “Wolverton Station” by Joe Hill
Hill’s Gothic tale is an exuberant mashup of Warren Zevon, Little Red Riding Hood, and “An American Werewolf in London.”
“I am a singularity”: “Event Horizon” by Sunny Moraine
The house in the story – a living thing that demands to be fed – is a metaphor for difference and the other.
Nick Cutter, aka Craig Davidson, on the allure of Asian horror
Manga creator Junji Ito’s work is a terrifying combination of enclosed spaces, group mania, and obsessive desire, writes Cutter.