31 Days of Stories 2022, Day 3: “The People Across the Canyon” by Margaret Millar
Millar’s story, ostensibly a psychological drama, is in fact a trenchant satire on the pernicious attractions of a particular kind of American dream.
A Blog About Books and Reading
A Blog About Books and Reading
Millar’s story, ostensibly a psychological drama, is in fact a trenchant satire on the pernicious attractions of a particular kind of American dream.
If the novel is a regal lion king, the short story is a cackling hyena.
“Partisan loyalty is socially disastrous; but for individuals it can be richly rewarding.”
Focusing on a writer investigating a double murder with Satanic overtones, the novel asks uncomfortable questions about how and why we consume such gruesome material.
The New York Times feature writer shows in carefully argued detail that the Sandy Hook hoaxers exist in a direct line with QAnon and the January 6 insurrection at the U.S. Capitol.
Jonas constructs a narrative that examines campus power dynamics frankly without, for the most part, providing any tidy moral or lesson.
The novels will be published individually in October and November, followed by a box set in December.
The history of censorship is inextricable from the history of power and in a changing world, it behooves us to consider how to balance speech and security.
In its examination of the roots of American horror cinema, this single-volume survey is valuable, though it lacks follow-through in its second half.
“We all have this conversation about who can write what,” Jordan says. “This collection asks, does it matter?”