Gary Sherman’s Death Line is a downbeat film that sympathizes with its monster
The 1972 British film, about survivors of a cave-in relegated to life as cannibals in the tunnels under London, is a grim critique of how capitalism treats its workers.
Carol J. Clover and gender subversion in the modern horror film
Clover codified the notion of the final girl, but her 1992 text on the modern horror film extends her inquiry further than just that.
Gunnar Hansen on what constitutes horror
The original Leatherface asks whether Tobe Hooper’s 1974 film classic can be considered horror without any supernatural elements.