A book first published sixty-two years ago helps explain the weird quasi-reality we are living through
So much of what Boorstin itemizes now seems inevitable it's difficult to countenance how groundbreaking his analysis was in its own time.
Three new novels apply a postmodern lens to horror cinema and its practitioners
The subtextual question in each of these stories – Where, exactly, does the true horror reside? – is a provocative and pressing one.
Megha Majumdar departs Scotiabank Giller Prize jury amid spiralling protest
Giller will operate with a three-person jury for the first time since 2014.
University of Toronto Press acquires Irwin Law assets in latest expansion of its publishing program
The acquisition is the latest in a series of expansionist moves for UTP.
Exile, anxiety, and intimations of mortality course through two new collections of poetry, from Maria Stepanova and Myna Wallin
Holy Winter is as much about the practice of writing poetry, and its place in a riven world, as it is about exile and anxiety over geopolitical fractures.
The Giller foundation sticks with Scotiabank, while losing one juror and the number of writers pulling their books rises to nineteen
Dismantling systems of arts funding in a capitalist society is notoriously difficult.
A group of fifteen authors pull their books from consideration for the Scotiabank Giller Prize in protest of its main sponsor’s investment in an Israeli arms manufacturer
The signatories are calling for the Giller to lobby Scotiabank to fully divest from Elbit Systems and for the prize to sever ties with the Azrieli Foundation, Indigo, and Audible.
Revelations that Alice Munro stayed with the man who sexually assaulted her nine-year-old daughter force a reckoning with the Nobel prize winner and her art
The article in the Star is heartbreaking.
A recently discovered, fragmentary novel by the notorious French author Céline raises questions about how – or if – to publish such posthumous work
War is potent if only for its concentration.
Two veteran poets explore the ineffable by way of the tangible and everyday
Both volumes contain references to the Hebrew word "hineni," translated as "here I am."