31 Days of Stories 2022, Day 18: “A Man Becomes a Nazi” by Anna Seghers; Margo Bettauer Dembo, trans.
Seghers’s story, about the conditions necessary for an unhappy man to become radicalized, holds pressing lessons for our current historical moment.
31 Days of Stories 2022, Day 17: “Once Removed” by Alexander MacLeod
Like Alice Munro, MacLeod has the ability to build whole lives in a compressed space and to subtly shift a story’s focus and meaning without apparent effort.
31 Days of Stories 2022, Day 16: “A Cup of Cold Water” by Edith Wharton
Wharton’s story is an examination of the vacuity that attaches to the wealthiest strata of society and one man’s unsuccessful attempt to climb the social ladder.
31 Days of Stories 2022, Day 15: “Little Miss Marker” by Damon Runyon
Set in a mythical Depression-era New York City, the story centres on a bookie who becomes an unwitting father figure to a young girl who is offered as a marker on a bet.
31 Days of Stories 2022, Day 13: “Dread” by Clive Barker
Barker’s psychologically tense story examines the price we pay for confronting our darkest fears.
31 Days of Stories 2022, Day 12: “The Stunt” by Michael LaPointe
In this chilly story, three men do battle for the soul of a fifteen-year-old film star.
31 Days of Stories 2022, Day 11: “Come and Get Your Ice Cream, Motherfuckers” by Francine Cunningham
An ice cream truck driver faces mental anguish resulting from his inability to escape the incessant jingle of his vehicle’s music.
31 Days of Stories 2022, Day 10: “A Distant Episode” by Paul Bowles
In a prelude to his iconic novel, Bowles offers up a tale of a hubristic
American academic who has the tables turned on him during a trip to North Africa.
31 Days of Stories 2022, Day 9: “An Orchid, Blooming” by Kathy Friedman
In Friedman’s story, family secrets, like orchids, flourish in darkness.
31 Days of Stories 2022, Day 8: “A Survey of Recent American Happenings Told Through Six Commercials for the Tennyson Clearjet Premium Touchless Bidet” by Omar El Akkad
In a brief and barbed satire, Giller winner Omar El Akkad links our current geopolitical malaise with the capitalist impulse to sell stuff.