31 Days of Stories 2022, Day 17: “Once Removed” by Alexander MacLeod
Like Alice Munro, MacLeod has the ability to build whole lives in a compressed space and to subtly shift a story’s focus and meaning without apparent effort.
A Blog About Books and Reading
A Blog About Books and Reading
Like Alice Munro, MacLeod has the ability to build whole lives in a compressed space and to subtly shift a story’s focus and meaning without apparent effort.
English’s story excavates the chasm that exists between two halves of a couple, a gulf that is exposed by the death of the pair’s dog.
In this chilly story, three men do battle for the soul of a fifteen-year-old film star.
An ice cream truck driver faces mental anguish resulting from his inability to escape the incessant jingle of his vehicle’s music.
In Friedman’s story, family secrets, like orchids, flourish in darkness.
In a brief and barbed satire, Giller winner Omar El Akkad links our current geopolitical malaise with the capitalist impulse to sell stuff.
Millar’s story, ostensibly a psychological drama, is in fact a trenchant satire on the pernicious attractions of a particular kind of American dream.
Set in a tiny fishing village on Canada’s east coast, the story limns the distance between fact and supposition.
One of the author’s best, this story interrogates the notion of societal visibility through the prism of a middle-aged-woman working as a labourer flooding ice rinks in the middle of the night.
If the novel is a regal lion king, the short story is a cackling hyena.