FilmNon-fictionThe Horror Show

The chain saw and the shark: Cultural critic W. Scott Poole examines the twin poles of American horror in Dark Carnivals

Poole’s extended argument about the dominance of American empire and the ways horror filmmakers (and, to a lesser extent, novelists) have responded to it is potent and challenging.

Membership Required

You must be a member to access this content.

View Membership Levels

Already a member? Log in here

Share this post