Feminism and the capitalist impulse collide head-on in Leigh Stein’s blistering second novel
Self Care skewers the performative progressiveness that attends capitalist tech companies obsessed with clicks and user engagement.
Good faces off against evil in James Herbert’s The Dark
Herbert’s novel combines elements of a haunted house story, a zombie tale, and a meditation on the nature of evil.
Why it’s so difficult to adapt Stephen King’s books for film
Being able to see King’s horrors is a significant drawback in terms of their emotional and affective impact – with one exception.
James Grainger on Folk Horror and confronting Canada’s colonial past
In order to establish a Folk Horror tradition, Canada would first have to reckon with the sins of its history as a settler-colonial nation.
Michael McDowell combines Southern Gothic and a haunted house tale in The Elementals
McDowell’s mashup of Southern Gothic and a traditional haunted house story provides a slow burn as opposed to the anarchic energy of his earlier novel.
Tananarive Due and the rise of Black horror
Black creators have made their mark in horror film and literature, though they have had to work to get noticed. There are signs that this is changing.
Josh and Benny Safdie on what scares them
“You can imagine that character – Max Renn – you can imagine him having a Twitter account after going through and seeing the true colours of society.”
Michael Kelly branches out with a throwback to the pulp periodicals of yore
Weird Horror, an offshoot of the publisher’s book imprint, Undertow Publications, is a nostalgic magazine in the EC Comics, Weird Tales vein.
Psychology of the uncanny: “The Scar” by Ramsey Campbell
This story of a man and his malevolent doppelgänger recalls Poe and includes a critique of apparent social respectability.
“You don’t really believe what you read”: Stephen King on the attraction of horror fiction
Horror fiction provides a buffer against the ongoing stresses and upheavals of the real world.