31 Days of Stories 2026, Day 2: “Red Wind” by Raymond Chandler
Raymond Chandler was the original poet laureate of the 20th century hardboiled detective story.
In their new examination of the SF and fantasy genres, Jo Walton and Ada Palmer provide an overly optimistic analysis of the field
The audience for this book is likely confined to hardcore SF and fantasy readers and practitioners.
Attend the tale: Caroline Glenn’s debut novel is a slick, sick satire that wears its influences on its sleeve
Glenn proves sharply observant about the acquisitive, beauty-obsessed milieu crammed with influencers and people jockeying to be the next big thing.
Ol’ blue eyes: Monika Kim’s debut novel is a grotesque howl of Asian feminist rage
Kim's novel goes to some undeniably dark places.
The lies have it: Two new debut novels showcase unreliable narrators
Whereas Novack lets her narrator's duplicity bleed through in the way the book is structured, Lucy, the woman at the centre of Taff's novel, tells us she's lying right up front.
Black lives, white rage: Two new books re-examine the Bernie Goetz subway vigilante case
Both Thompson and Williams attempt to draw direct connections between the societal cleavages the Goetz case brought into stark relief and the current polarization of political sentiment in the U.S.
Raymond Chandler via Albert Camus: Some thoughts on James Sallis, who died in January at the age of eighty-one
"James Sallis writes in the tradition of Raymond Chandler, albeit via Albert Camus."
Hot for teacher: Jennette McCurdy’s debut novel, about a high-school student’s affair with her creative writing instructor, intends to provoke
McCurdy's method is predicated upon an ironic distance between Waldo's narration and the reader's ability to see through it.
A deal with the Devil: How a ninety-year-old novel from a Nobel Prize winner’s son maps onto our current political moment
Mann's novel closely mines the contradictions in his protagonist's character.
Clinging to the flotsam: James Sallis examines the classic era of paperback noir fiction
This is one of the things Sallis insists on: the idea that commercial fiction can contain insights every bit as profound as those in more high-minded literary novels.